Guggenheim Works and Process Fall 2018 Dance Series

Since 1984, New Yorkers have been able to see, hear, and meet acclaimed artists in an intimate setting unlike any other. A performing-arts series that explores artistic creation through stimulating conversation and performance in the Guggenheim’s Frank Lloyd Wright–designed, 285-seat Peter B. Lewis Theater, Works & Process commissions and champions new works and offers unprecedented access to some of the world’s leading creators and performers.

Solomon R. Guggenheim Museum
1071 Fifth Avenue
New York, NY 10128-0173
212 423 3500
 
Emma Portner with Hubbard Street Dance Chicago/Devonté Hynes & Third Coast Percussion, and Anne Plamondon

Sunday, September 9, 2018

Monday, September 10, 2018,

7:30–8:50 pm

Emma Portner, described by Dance Spirit as a young choreographer “changing the dance world,” shares highlights from her upcoming Hubbard Street Dance Chicago (HSDC) commission with new music by Devonté Hynes (aka Blood Orange) performed by Third Coast Percussion, and from her duet with Anne Plamondon, commissioned by Fall for Dance North (FFDN), prior to their respective premieres in Chicago and Toronto. Portner will also screen her newest dance film, FEMME DEBOUT commissioned by Fondation Beyeler on the occasion of the foundation’s Bacon—Giacometti exhibition. As part of the program, Portner, Plamondon, and HSDC artistic director Glenn Edgerton will discuss their collaboration in a discussion moderated by FFDN artistic director Ilter Ibrahimof.
$45, $40 members and Friends of Works & Process. Priority tickets for the Fall 2018 performance series will go on sale on Tuesday, August 7, for $500+ Friends of Works & Process and $600+ Guggenheim members. General ticketing begins Tuesday, August 14.

Pacific Northwest Ballet’s Jerome Robbins Centennial Celebration: Male Solos with Peter Boal

Tuesday, October 2, 2018

Wednesday October 3, 2018

7:30–8:50 pm

Peter Boal, Pacific Northwest Ballet artistic director and a former principal dancer of the New York City Ballet, is joined by dancers from the Pacific Northwest Ballet to discuss and perform male solos by acclaimed choreographer Jerome Robbins on the occasion of Robbins’ 2018 centennial. Among the works performed, Peter Boal will reconstruct a “lost” solo created for him by Jerome Robbins.
$45, $40 members and Friends of Works & Process. Priority tickets for the Fall 2018 performance series will go on sale on Tuesday, August 7, for $500+ Friends of Works & Process and $600+ Guggenheim members. General ticketing begins Tuesday, August 14.

American Ballet Theatre: Jessica Lang

Sunday, October 7, 2018

Monday October 8, 2018

7:30–8:50 pm

Since 1940, American Ballet Theatre has been a home for emerging choreographers and artists. This season, as part of the ABT Women’s Movement initiative, choreographer Jessica Lang collaborates with artist Sarah Crowner for Lang’s third work for the company. Join Jessica Lang, moderator John Meehan, and dancers from American Ballet Theatre for an intimate evening of dance and discussion prior to the ballet’s premiere.
$45, $40 members and Friends of Works & Process. Priority tickets for the Fall 2018 performance series will go on sale on Tuesday, August 7, for $500+ Friends of Works & Process and $600+ Guggenheim members. General ticketing begins Tuesday, August 14.

Alvin Ailey American Dance Theater at 60

November 5, 2018, 7:30–8:50 pm

In honor of Alvin Ailey American Dance Theater’s 60th anniversary, artistic director Robert Battle, artistic director emerita Judith Jamison, and choreographer Rennie Harris will join in a conversation moderated by author Susan Fales-Hill that spotlights what truly makes the company so special. Alvin Ailey dancers will perform highlights from signature classics and commissioned works, pushing dance into new territory leading up to the company’s New York City Center season.
$45, $40 members and Friends of Works & Process. Priority tickets for the Fall 2018 performance series will go on sale on Tuesday, August 7, for $500+ Friends of Works & Process and $600+ Guggenheim members. General ticketing begins Tuesday, August 14.

English National Ballet: Akram Khan’s Giselle at the Harris Theater

November 11, 2018, 7:30–8:50 pm

British Bangladeshi choreographer Akram Khan, known for masterful works that interweave contemporary dance and Indian kathak, creates a 21st-century Giselle. This classical ballet is reimagined in a stunning new version that illustrates the woes of migrant workers and powerful factory owners. Following an applauded second run at Sadler’s Wells Theatre in London, the English National Ballet will bring this groundbreaking work to Chicago’s Harris Theater for Music and Dance in 2019 for its American premiere. At the only New York preview of this critically acclaimed ballet, Khan’s first work featuring dancers on pointe, New York Times dance writer Marina Harss moderates a discussion with Khan, Tamara Rojo, artistic director and lead principal dancer of English National Ballet, Patricia Barretto, president and CEO of Harris Theater for Music and Dance, and company dancers. Highlights will be performed by three company dancers and Rojo.
$45, $40 members and Friends of Works & Process. Priority tickets for the Fall 2018 performance series will go on sale on Tuesday, August 7, for $500+ Friends of Works & Process and $600+ Guggenheim members. General ticketing begins Tuesday, August 14.

 

For tickets: 

https://www.guggenheim.org/event/event_series/works-process

 

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Katherine Barber

Tours en l'air Ballet Holidays

email: toursenlair@gmail.com

www.toursenlair.blogspot.com

201 Hanson St, Toronto, ON Canada M4C 1A7 416.693.4496

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Tours en l'air Ballet Holidays are offered in partnership with CWT Victor Travel, TICO 1892647

 

Cinema broadcasts of English National Ballet's Giselle

https://youtu.be/zfSL2xOoYzc 


Hailed as a masterpiece of 21st century dance, Akram Khan’s Giselle comes to cinemas in England and Scotland for the first time with English National Ballet Artistic Director, Tamara Rojo, dancing the role of Giselle, one of a community of migrant workers cast out of their jobs in a condemned garment factory.

The classic story of love, betrayal and redemption has been reimagined in this stunning new version, with sets and costumes by Academy-Award winning designer Tim Yip (Crouching Tiger Hidden Dragon), an ‘ominous, gothic’ (The Observer) adaptation of Adolphe Adam’s original score by composer Vincenzo Lamagna and performed by English National Ballet Philharmonic, dramaturgy from Ruth Little and lighting design from Tony Award-winner Mark Henderson.

Filmed live at the Liverpool Empire in October 2017, Akram Khan’s Giselle is directed for the screen by Ross MacGibbon.

For dates and locations, click here. 

Synopsis

Act I
Giselle is one of a community of migrant garment factory workers (the Outcasts). Dispossessed of their jobs by the factory’s closure, and separated by a high wall from their hopes of livelihood and security, the Outcasts function as little more than exotic entertainment for the factory Landlords.
In Act I, the wealthy Albrecht disguises himself as an Outcast in order to visit his lover Giselle. But his presence is noted by Hilarion – Giselle’s would-be lover – a shape-changing ‘fixer’ who trades with and mimics the Landlords for his own and his community’s profit.

Albrecht’s wooing of Giselle is interrupted by the unexpected arrival of the Landlords. Seeing his fiancée Bathilde among them, Albrecht tries to hide. Giselle recognizes the fine dress worn by Bathilde as the product of her own factory labour. The Outcasts dance for the Landlords until Albrecht and Hilarion disturb the Ceremony with their conflict.

Bathilde’s father confronts Albrecht, forcing him to return to Bathilde and to their world. When he submits and returns to Bathilde, Giselle is driven mad with grief. The Landlord gives a command, and the Outcasts encircle Giselle. When the crowd disperses, her lifeless body is revealed. Denying any responsibility, the Landlords retreat beneath the Wall.

Act II
A wrecked, abandoned ‘ghost’ factory is revealed – a place where Giselle and her female co-workers have labored, and many have died. Here Albrecht, grieving for Giselle, confronts and condemns the Landlords.
Myrtha, Queen of the Wilis (ghosts of factory workers who seek revenge for the wrongs done to them in life), enters, driving Albrecht away. She summons Giselle from her lifeless body into the realm of death, to join the company of the remorseless Wilis.

Hilarion enters to mourn at Giselle’s grave. The Wilis surround him, demanding retribution for Giselle’s death, and Hilarion is brutally killed.

Albrecht returns and becomes aware of Giselle’s presence. The lovers are reunited on the threshold between life and death. Breaking the cycle of violence – and defying Myrtha’s command – Giselle forgives Albrecht and releases him into life.

The Wilis depart with Giselle, and Albrecht, now an outcast from his own community, is left alone by the Wall.

PRINCIPAL CAST

Tamara Rojo

Giselle

James Streeter

Albrecht

Jeffrey Cirio

Hilarion

Stina Quagebeur

Myrtha

You can see English National Ballet live in Kenneth MacMillan's The Sleeping Beauty as part of Tours en l'air's trip to London in June 2018. More information here:
http://toursenlair.blogspot.ca/2018/01/ballet-trip-to-london-june-2018.html

Upcoming Tours en l'air Ballet Trips: click here
Subscribe to newsletter: click here
About Tours en l'air: click here
10 Reasons to Travel with Tours en l'air: click here
Travel Tips for Ballet Lovers: click here
FAQ: click here
Testimonials: click here
Search this site: click here

Katherine Barber

Tours en l'air Ballet Holidays

email: toursenlair@gmail.com

www.toursenlair.blogspot.com

201 Hanson St, Toronto, ON Canada M4C 1A7 416.693.4496

BALLET MAKES LIFE BETTER

GET MORE BALLET OUT OF LIFE WITH TOURS EN L'AIR

Tours en l'air Ballet Holidays are offered in partnership with CWT Victor Travel, TICO 1892647