Four Canadian Choreographers
Three World Premieres Plus a New Work
The National Ballet of
Canada’s Innovation series features three world premieres that will
debut November 22, 2013, along with a piece by Choreographic Associate
Guillaume Côté. José Navas, a Venezuelan born choreographer who now
works in Montréal, created his piece in August; and Choreographic
Associate Robert Binet, in September. Former Artistic Director James
Kudelka is currently working on his creation in the studio with the
dancers.
Watershed – A World Premiere by José Navas
“I’ve long been interested in Benjamin Britten’s works and life. When I first heard Four Sea Interludes,
I knew I wanted to use a big group of dancers and I wanted the work to
be on pointe – perfect for the National Ballet’s amazing artists. I hope
I can emulate in my choreography what Britten did in music – to make it
formal and structural, but also emotional and true.” - José Navas
Choreography: José Navas
Music: Benjamin Britten, Peter Grimes, Op. 33 – Four Sea Interludes Op. 33a
Costume Design: Sonya Bayer
Lighting Design: James F. Ingalls
Being and Nothingness (Part 1) by Guillaume Côté
“The music of Philip Glass
has always fascinated me. Its repetitive structure is somewhat hypnotic
and evolves in seamless ways. This particular section of Being and Nothingness
is based on a concept called “The Great Human Stream" explored in
Jean-Paul Sartre’s book. The Great Human Stream arises from a singular
realization that nothingness is a state of mind in which we can become
anything that we desire. Glass's Metamorphosis is the perfect
musical reflection of this theme, filled with emotional weight. It
provides a lot of room for telling the story of someone coming to terms
with their own ‘nothingness’.” - Guillaume Côté
Choreography: Guillaume Côté
Music: Philip Glass
Costume Design: Krista Dowson
Lighting Design: James F. Ingalls
Unearth - A World Premiere by Robert Binet
“I love Owen Pallett’s music
and I always thought, ‘one day…’ So when Karen Kain asked me to create a
new work, I contacted him. Even though it’s his first composition for
dance he understands the energy, colour and rhythm of ballet and also
the needs of the dancers.” - Robert Binet
Choreography: Robert Binet
Original Music: Owen Pallett
Set and Costume Design: Hyemi Shin
Lighting Design: James F. Ingalls
...black night's bright day... - A World Premiere by James Kudelka
“I have known Pergolesi's Stabat Mater
for some time, having seen a work done to the first section of it in
the 1970s. It a very beautiful piece of musical composition to listen to
although it is about a very tragic subject - the loss of a dear one in
horrible and unjust circumstances. Sometimes we have to make difficult
subjects beautiful in order to be able to look at them.” - James Kudelka
Choreography: James Kudelka, O.C.
Music: Giovanni Battista Pergolesi, Stabat Mater
Costume Design: Jim Searle and Chris Tyrell for Hoax Couture
Lighting Design: James F. Ingalls
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