Tours en l'air organizes ballet-themed escorted holidays to see the best companies perform great ballets in beautiful places. You can join a trip from anywhere. A highly knowledgeable balletomane who has enjoyed 100s of performances in over 20 cities around the world,I speak English, French, and German, and am a Travel Industry Council of Ontario certified Travel Counsellor. I also teach ballet appreciation courses. Twitter: @thewordlady Facebook: https://www.facebook.com/katherine.barber.37
Tours en l'air Ballet Holidays are offered in partnership with CWT Victor Travel, TICO # 1892647

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Thursday, September 21, 2017

Casting for Bolshoi Le Corsaire in cinema

Le Corsaire

Cast for the Bolshoi cinema broadcast of Alexei Ratmansky's reconstruction of Le Corsaire, October 22, 2018. For dates in the US, please click here: https://www.fathomevents.com/events/bolshoi1718-le-corsaire


Medora, a young Greek girl, Isaac Lanquedem's ward Olga Smirnova
Conrad, a corsair Igor Tsvirko
Seyd, the Pacha Alexei Loparevich
Birbanto, one of the chief corsairs Denis Savin
Zulmea, the Pacha's favorite sultana Nelli Kobakhidze
Gulnare, the Pacha's slave-girl Daria Khokhlova
Isaac Lanquedem, bazaar-owner Gennadi Yanin
Keeper of Seyd, the Pacha's harem Andrei Sitnikov
Eunuchs Yuri Ostrovsky Egor Simachev Vasily Zhidkov
A Negress Anastasia Vinokur
A Mufti Alexander Fadeyechev
Pas d'esclaves Anastasia Stashkevich Vyacheslav Lopatin
Pas de Trois des Odalisques First Odalisque Ana Turazashvili
Second Odalisque Elvina Ibraimova
Third Odalisque Xenia Zhiganshina
Danse des forbans Sоloists Kristina Karasyova Denis Savin
Danse des forbans Anna Balukova Oxana Sharova Ivan Alexeyev Anton Savichev
"Le Jardin Anime" Daria Bochkova Bruna Cantanhede Gaglianone Victoria Litvinova Svetlana Pavlova Margarita Shrainer Yulia Skvortsova
Grand pas des eventails Soloist Denis Rodkin
Grand Pas des Eventails Daria Bochkova Bruna Cantanhede Gaglianone Xenia Kern Victoria Litvinova Margarita Shrainer Victoria Yakusheva

Synopsis:

Act I
Scene 1
Medora is Kidnapped
The bazaar square. The beautiful slave-girls who are up for sale, sit awaiting buyers; here too throngs a crowd of Turks, Greeks, Armenians who are examining the wares brought from all corners of the earth.

A band of corsairs appear in the square, led by Conrad. He has evidently come to the bazaar to carry out his secret plan to meet a certain beautiful stranger.

Medora, the ward of bazaar-owner Isaac Lanquedem, comes out onto the balcony of her guardian’s house. Seeing Conrad, she quickly makes a selam* out of the flowers she has to hand and throws it to him. The latter, reading the selam is delighted, because now he is convinced the beautiful Medora loves him.

Isaac and Medora appear in the square. While Isaac examines the slave-girls, Medora and Conrad exchange passionate and meaningful glances.

A rich buyer appears in the square — Seyd-Pasha — and his suite. He is surrounded by dealers showing off their girls, but not one of the latter pleases the Pasha. Then Seyd-Pasha catches sight ofMedora. He decides come what may to purchase her but Isaac refuses to sell him his ward, obsequiously explaining to Seyd-Pasha that she is not for sale and offering him instead a pair of othermaidens.

But Seyd-Pasha insists on buying Medora. His offers are so advantageous and attractive that Isaac is unable to resist them and agrees to the deal. Issuing an order that the new slave-girl he has just bought be delivered to his harem, Seyd-Pasha goes off, threatening Isaac with punishment if Medora is not immediately dispatched to his harem. Conrad calms down Medora, promising that the corsairs will kidnap her.

At a sign from Conrad, the corsairs start a merry dance with the slave-girls, in which Medora takes an active part, to the great delight of all present. But suddenly, Conrad gives the signal, and the corsairs make off with the slave-girls and Medora too. Isaac runs after Medora and tries to snatch her from the corsairs; Conrad orders that Isaac, who is frightened out of his wits, should also be seized.

Scene 2 The Plotters
The corsairs’ den. The corsairs, with their rich booty and captive maidens return to their lair; also brought here is the trembling Isaac. Medora, saddened by the fate of her fellow slaves, begs Conrad to free them and he agrees. Birbanto and the other pirates protest, saying that they too have a right to the women. They become mutinous. Conrad, deflecting a blow aimed at him, forces Birbanto to his knees; then he soothes a frightened Medora and carefully protecting her, goes through with her into the tent.

Taking advantage of the general confusion, Isaac decides to make his escape. However he is seen by Birbanto and the other pirates who taunt him and, taking all his money, suggest that he participate in a plot to get back Medora. Picking a flower from the bunch, Birbanto sprays it with a sleeping potion, he then hands it to Isaac and tells him to give it to Conrad.
Conrad appears and arranges for dinner to be served. While the corsairs are having their supper, Medora dances for Conrad who swears eternal love to her.

Gradually the corsairs disperse, except for Birbanto and several of his henchmen who are keeping an eye on Conrad and Medora. Isaac now appears with a young slave-girl; pointing to Medora, he tells the slave-girl to give her the flower. Medora, clasps the flower to her breast and hands it to Conrad, adding that flowers explain all her love for him. Conrad, lovingly presses the flower to his lips but the intoxicating smell goes to his head and, despite his incredible efforts not to succumb to its effect, he immediately falls into a deep sleep. Birbanto makes a sign to the plotters to put their plan into action.

Medora is taken aback at Conrad suddenly falling asleep. She is surrounded by the corsairs who threaten her. Trying to defend herself, Medora stabs Birbanto in the arm and, attempting to flee, she faints and falls into the arms of her kidnappers.

Dismissing his henchmen, Birbanto is about to make short work of Conrad when the latter wakes up. Hearing that Medora has been abducted, Conrad and the corsairs set off in pursuit.

Act II Scene 3
The Corsair’s Captive
Seyd-Pasha’s palace. The bored odalisques start playing various games. Zulma demands that the odalisques show her respect, but Gulnare and her friends mock the haughty sultana.

Enter Seyd-Pasha. The odalisques are required to bow down before their master, but the unruly Gulnare mocks him too. Seyd-Pasha, carried away by her youth and beauty, throws her his handkerchief, butGulnare throws it on to her friends, eventually the handkerchief, passing from hand to hand, reaches an old negress who, picking it up, starts to chase Seyd-Pasha, smothering him with her caresses.Seyd-Pasha is hard put to it to contain his anger.

In an attempt to please the Pasha, the Keeper of the harem brings forward three odalisques.
Zulma tries to attract the Pasha’s attention but, at that moment, the latter is told of the arrival of the slave trader.

Catching sight of Isaac, who leads in Medora, Seyd-Pasha is overjoyed. Medora begs Seyd-Pasha to grant her her freedom but, seeing that he is unrelenting, complains of cruel treatment by her guardian; Seyd-Pasha orders the eunuch to send him packing. Going up to Medora, Gulnare is kind to her and sympathizes with her lot. Seyd-Pasha offers Medora various jewels but, to Seyd-Pasha’s displeasure and Gulnare’s joy, she turns them down outright.

The leader of a group of dervishes appears, who requests lodging for the night. Seyd-Pasha permits the dervishes to put up in his garden. Amused at the dervishes’ embarrassment at the sight of theyoung, seductive slave-girls, Seyd-Pasha promises to acquaint them with all the delights his harem has to offer and orders the slave-girls to start dancing.

Among the beautiful dancing girls, Conrad recognizes his beloved.
At the end of the celebration, Seyd-Pasha orders that Medora be conducted to his private rooms in the palace. Throwing off their dervish disguise, the corsairs threaten Seyd-Pasha with their daggers; Conrad and Medora embrace.

The corsairs are engrossed in their plundering of Seyd-Pasha’s palace. Gulnare comes running in, pursued by Birbanto, she rushes up to Medora and begs for her help. Conrad takes Gulnare’s part, meanwhile Medora recognizes Birbanto as her kidnapper and informs Conrad of his treacherous action. Laughing, Birbanto denies her accusation; in confirmation of her words, Medora points out to Conradthe wound she inflicted on Birbanto by stabbing him in the arm. Conrad is about to shoot the traitor, but Medora and Gulnare restrain him and Birbanto runs off shouting threats.

Medora, giddy with weakness and nervous tension, is on the point of fainting but, with assistance from Gulnare and Conrad, she regains consciousness and, at their request, is about to follow them when, suddenly, Seyd-Pasha’s guards burst into the hall. The corsairs are routed, Conrad is disarmed and sentenced to death. Seyd-Pasha is victorious.

Act III
Scene 4
Seyd-Pasha’s wedding
Seyd-Pasha’s private rooms in the palace. Seyd-Pasha gives orders that preparations get underway for his wedding to Medora. He proposes to Medora who indignantly turns him down. Conrad in chains isled to his execution. Medora, seeing the terrible plight of her loved one, begs Seyd-Pasha to show him mercy. Seyd-Pasha promises to pardon Conrad on the condition that Medora, of her own free will, agrees to be his. Medora is at her wit’s end and, in despair, she accepts Seyd-Pasha’s terms.

Left on their own, Conrad hurries over to Medora who tells him on what condition Seyd-Pasha has agreed to free him. Conrad rejects the nefarious condition and they decide to die together. Gulnare who has been observing them suggests a plan; the lovers agree to it and thank her profusely.

Seyd-Pasha returns. Medora informs him she accepts his terms. Overjoyed, Seyd-Pasha gives orders that Conrad be freed from all form of persecution and that preparations be put in hand for the wedding ceremony.

The wedding procession approaches, the bride is covered by a veil. At the end of the ceremony, Seyd-Pasha gives the bride his arm, and puts a ring on her finger. The dances of the odalisques bring the wedding to an end.

Left alone with Seyd-Pasha Medora tries to entice him with her dances, but it is quite obvious that she can’t wait for the hour of her delivery. Catching sight of the pistol in Seyd-Pasha’s belt, she says it frightens her and asks him to take it off. Seyd-Pasha does as he is asked and hands the pistol to Medora. Her fear increases at the sight of the dagger, also tucked in his belt. To calm her down once and for all, Seyd-Pasha pulls the dagger free and gives it to her. He then tries to embrace her but, dancing, Medora slips nimbly from his grasp. Seyd-Pasha falls at her feet and, imploring her love, gives her his handkerchief. As if for a joke, she ties his hands up with it and he, amused, laughs at her prank. On the stroke of midnight, Conrad appears. Seyd-Pasha is horrified when he sees Medora hand over his dagger to Conrad; he wants to call for help but Medora aims the pistol at him and says she will kill him if he so much as opens his mouth. Seyd-Pasha doesn’t dare utter aword, meanwhile Medor and Conrad quickly escape.

Seyd-Pasha tries to free himself. Gulnare comes running in and, feigning horror, unties his hands. Seyd-Pasha summons his guard and orders them to pursue the fugitives. Three shots of the cannon bring the news that the corsairs’ ship has set sail. Seyd-Pasha has a violent fit of temper: his beloved wife has been abducted. “I’m your wife”, says Gulnare, and, pointing to her wedding finger she adds, “This is your ring!”
Seyd-Pasha is left in a state of shock.

Scene 5
Storm and Shipwreck
At sea. A clear and peaceful night on deck. The corsairs are celebrating their liberation. Only the hapless Birbanto, in chains, does not take part in the merry-making. Taking pity on him, Medora asks Conrad to forgive Birbanto and the latter joins in her pleas. After some hesitation Conrad pardons Birbanto who requests permission to regale his fellow pirates with a barrel of wine.

There is a swift change in the weather and a storm gets up; taking advantage of the confusion, Birbanto again starts to stir up trouble with the pirates, but Conrad throws him overboard. The stormgets worse: there are peals of thunder, flashes of lightning and a very rough sea. A resounding crack is heard and the ship goes aground on a rock.

The wind slowly dies down and the sea becomes calm again. The moon comes out and two figures are lit up in its silvery light: these are Medora and Conrad who, miraculously, haven’t drowned. Theyreach the rock, clamber up onto it and thank God for their salvation.

*Selam — bouquet in which each flower has special meaning. The language of flowers and communication by means of a ’flower code’ was very popular in Europe at the end of the18th-19th centuries.

Upcoming Tours en l'air Ballet Trips: click here
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Katherine Barber
Tours en l'air Ballet Holidays
email: toursenlair@gmail.com
201 Hanson St, Toronto, ON Canada M4C 1A7 416.693.4496
BALLET MAKES LIFE BETTER

GET MORE BALLET OUT OF LIFE WITH TOURS EN L'AIR
Tours en l'air Ballet Holidays are offered in partnership with CWT Victor Travel, TICO 1892647

Monday, September 18, 2017

Get More out of Ballet with Evan McKie

photo credit: Yumiko Inoue

Tours en l'air Ballet Holidays

presents

 "Tea and McKie"
 
Q&A with National Ballet of Canada Principal Dancer and international ballet star 

EVAN McKIE, 
 who will talk about his upcoming Toronto performances in 
John Neumeier's Nijinsky and 
Christopher Wheeldon's The Winter's Tale. 
A rare opportunity for a one-hour in-depth chat with Evan!
 
 From Evan:

"Let's go into the WORLD of ballet both in Canada and abroad, into being a ballet dancer and the fantastical journey of physicalizing the human condition with our best tool: the human body. Thank you @katherinebarber for having this idea to discuss the experiences I've had to be able to challenge myself and my interpersonal communication constantly through a wild ride featuring such provocative roles ...most recently in my home town of Toronto at The National Ballet of Canada.
  I look forward to trying to answer some of your exciting questions ahead of our performances of Nijinsky and The Winter's Tale."

Tea and desserts will be served

Photo credit: Artwave


TICKETS MUST BE BOOKED IN ADVANCE BY OCTOBER 23 AT THE LATEST

DATE: Sunday November 5
TIME: 4 to 6:30 pm
VENUE: St Thomas's Anglican Church Hall 

383 Huron Street, Toronto
one block west of St George, one block south of Bloor
5 minutes walk from Spadina Station or St George exit of St. George Station
3 minutes walk from Sussex stop on Spadina streetcar
6 steps up from sidewalk to hall

PRICE: $40 incl tax

 A portion of the proceeds supports St Thomas's
refugee sponsorship program


TO BOOK:

email me at toursenlair@gmail.com to reserve your spot(s) and

either

1) arrange an Interac e-transfer to toursenlair@gmail.com

or

2) send a cheque to
Katherine Barber
201 Hanson St Toronto ON M4C 1A7 

What the critics say about Evan McKie:

"... among the absolute best in the world.”
Dance Europe

“Evan McKie’s dancing buoys the spirit and is among the best on display anywhere.”
Dance International Magazine

“Evan McKie’s performance at the Paris Opéra Ballet became the sensation of the season.”
Financial Times




You can also get much more out of Nijinsky by attending my 6-week ballet appreciation course "Fokine, Nijinsky, and Diaghilev's Ballets Russes" this fall. More info here:  
http://toursenlair.blogspot.ca/2017/02/ballet-appreciation-course-fokine.html

Upcoming Tours en l'air Ballet Trips: click here
Subscribe to newsletter: click here
About Tours en l'air: click here
10 Reasons to Travel with Tours en l'air: click here
Travel Tips for Ballet Lovers: click here
FAQ: click here
Testimonials: click here
Search this site: click here



Katherine Barber
Tours en l'air Ballet Holidays
email: toursenlair@gmail.com
201 Hanson St, Toronto, ON Canada M4C 1A7 416.693.4496
BALLET MAKES LIFE BETTER

GET MORE BALLET OUT OF LIFE WITH TOURS EN L'AIR
Tours en l'air Ballet Holidays are offered in partnership with CWT Victor Travel, TICO 1892647

Thursday, September 7, 2017

Vienna State Ballet livestreams

 

The Vienna State Ballet has announced its livestreams for 2017-18. Each livestream costs € 14. You can watch this year's broadcasts at any time within 72 hours of the original livestream, but **you have to book your time BEFORE the beginning of the original livestream**

The link is
http://www.staatsoperlive.com/en/live/

Giselle

Thursday 28 Sep 2017
19:30 - 21:45 (European time)


Giselle Maria Yakovleva
Duke Albrecht Masayu Kimoto
Hilarion Andrey Kaydanovskiy
Myrtha Gala Jovanovic
Saturday 06 Jan 2018
 


Raymonda

Tuesday 13 Mar 2018

(or if you prefer, you can be in the live audience for this performance by joining the Tours en l'air trip to Vienna and Budapest: http://toursenlair.blogspot.ca/2017/05/vienna-budapest-ballet-trip-march-2018.html)
 

In addition, for €5 each you can watch archived films of 

Nureyev's Don Quixote

  • Maria Yakovleva  |  Kitri
  • Denys Cherevychko  |  Basil
  • Roman Lazik  |  Espada
  • Ketevan Papava   |  Street Dancer
  • Olga Esina  |  Queen of the Dryads
  • Kamil Pavelka  |  Don Quixote
  • Christoph Wenzel  |  Sancho Panza  
  •  
 Manuel Legris's staging of Le Corsaire 
  • Maria Yakovleva  |  Médora
  • Robert Gabdullin  |  Conrad
  • Liudmila Konovalova  |  Gulnare
  • Kirill Kourlaev  |  Lanquedem
  • Davide Dato  |  Birbanto
  • Alice Firenze  |  Zulméa
  • Mihail Sosnovschi  |  Seyd Pascha
  • Nina Tonoli  |  Odalisque
  • Natascha Mair  |  Odalisque
  • Prisca Zeisel  |  Odalisque

 Rudolf Nureyev's version of Swan Lake:


  • Vladimir Shishov  |  Prince
  • Liudmila Konovalova  |  Odette / Odile
  • Dagmar Kronberger  |  Queen
  • Eno Peci  |  Rothbart

Upcoming Tours en l'air Ballet Trips: click here
Subscribe to newsletter: click here
About Tours en l'air: click here
10 Reasons to Travel with Tours en l'air: click here
Travel Tips for Ballet Lovers: click here
FAQ: click here
Testimonials: click here
Search this site: click here



Katherine Barber
Tours en l'air Ballet Holidays
email: toursenlair@gmail.com
201 Hanson St, Toronto, ON Canada M4C 1A7 416.693.4496
BALLET MAKES LIFE BETTER

GET MORE BALLET OUT OF LIFE WITH TOURS EN L'AIR
Tours en l'air Ballet Holidays are offered in partnership with CWT Victor Travel, TICO 1892647

 

Wednesday, September 6, 2017

FREE! Watch company class & Tour National Ballet of Canada

Image may contain: 2 people, people dancing, shoes and basketball court Culture Days at The National Ballet of Canada

Join The National Ballet of Canada in celebrating Culture Days on Friday September 29, 2017. 

Participants are invited to watch company class and see how professional dancers prepare for rehearsals and performance. Tour The Walter Carsen Centre for The National Ballet of Canada and see beautiful costumes being created in our Wardrobe Department and visit the Pointe Shoe Room.

Date: September 29, 2017 Time: 10:00 am – 11:15 am

Culture Days is FREE but space is very limited and you must reserve a spot. Spots are first come, first served, so don’t delay!

To reserve your spot please fill out the online form by clicking on the link below.
https://national.ballet.ca/CultureDays

Upcoming Tours en l'air Ballet Trips: click here
Subscribe to newsletter: click here
About Tours en l'air: click here
10 Reasons to Travel with Tours en l'air: click here
Travel Tips for Ballet Lovers: click here
FAQ: click here
Testimonials: click here
Search this site: click here



Katherine Barber
Tours en l'air Ballet Holidays
email: toursenlair@gmail.com
201 Hanson St, Toronto, ON Canada M4C 1A7 416.693.4496
BALLET MAKES LIFE BETTER

GET MORE BALLET OUT OF LIFE WITH TOURS EN L'AIR
Tours en l'air Ballet Holidays are offered in partnership with CWT Victor Travel, TICO 1892647
 

Tuesday, September 5, 2017

Ballet appreciation course: Get More out of Ballet


Image result for coppelia bolshoi
Coppelia

Tuesday, 6:30 p.m. – 8:30 p.m.

17 October – 21 November, 2017
University of Toronto School of Continuing Studies 
to register: 





COURSE PLAN

Week
TOPIC/LESSONS
1
Bring on the Dancing Girls: The Grand Imperial Russian Style (Le Corsaire)
When you think "ballet", you see a regal-looking ballerina in a short tutu performing feats of virtuosity, and you owe that vision to Marius Petipa and his late-19th-century ballets.
2
In The Winter's Tale, hot international choreographer Christopher Wheeldon takes on Shakespeare's tale of insane jealousy and forgiveness.
3
The God of Dance In his masterpiece Nijinsky John Neumeier, the creative genius of the Hamburg Ballet, keeps the art of the story ballet alive and pays homage to a crucial figure and crucial era in the history of ballet. **For a much more in-depth look at Nijinsky and his times, please see my course about the Ballets Russes: http://toursenlair.blogspot.ca/2017/02/ballet-appreciation-course-fokine.html
4
Flames of Paris: Alexei Ratmansky revives a Soviet-era ballet
5
Four Seasons/ Emergence/ Paz de la Jolla/ Frame by Frame: Four short ballets in the National Ballet of Canada's season celebrate Canadian choreography and introduce Toronto audiences to ballet's current Wunderkind choreographer, New York City Ballet's Justin Peck.
6
The Girl with the Enamel Eyes Perennial favourite Coppélia, with its beautiful lilting music by Léo Delibes, marks the last heyday of the French Romantic ballet.






Upcoming Tours en l'air Ballet Trips: click here
Subscribe to newsletter: click here
About Tours en l'air: click here
10 Reasons to Travel with Tours en l'air: click here
Travel Tips for Ballet Lovers: click here
FAQ: click here
Testimonials: click here
Search this site: click here



Katherine Barber
Tours en l'air Ballet Holidays
email: toursenlair@gmail.com
201 Hanson St, Toronto, ON Canada M4C 1A7 416.693.4496
BALLET MAKES LIFE BETTER

GET MORE BALLET OUT OF LIFE WITH TOURS EN L'AIR
Tours en l'air Ballet Holidays are offered in partnership with CWT Victor Travel, TICO 1892647